Pendelton

Pendelton

I cut the broadcast spots as well as 7 vertical pieces that interviewed the actual riders. I enjoyed giving each of them their own profile.

Credits

Editor: Justin Wilson

Color: Joey Waldrip

Samsung

Samsung

This is 1 of 4 pieces I cut for a Samsung campaign shot in NYC. It was my first time doing an all-remote session and I couldn’t believe how seamless it was.

Credits

Editor: Justin Wilson

Moneygram

Moneygram

I somehow fit every personality captured on the racetrack into this :60. Absolute chaotic fun featuring the MoneyGram Formula 1 car.

Credits

Editor: Justin Wilson

Amazon

Amazon

A fun cut and one of the few spots of mine that I’ve seen in the wild.

Credits

Editor: Justin Wilson

TX Oncology

TX Oncology

This entire campaign was beautifully shot and my only challenge was deciding which shots belonged in the edit.

Charles Schwab

Charles Schwab

This was wild day of man-on-the-street interviews for a 7 part campaign for Charles Schwab. We ran 3 cameras: one Canon for client monitor with a cage that allowed for an iPhone to capture almost the same angle, and then another iPhone I operated for reactions.

Credits

Director/Editor: Justin Wilson

Mary Kay

Mary Kay

This is my favorite of 3 videos I cut for Dallas-based company Mary Kay, who gave me freedom to be playful with the edit.

Credits

Editor: Justin Wilson

Capital One

Capital One

This was a complete blast to cut together as we really leaned into the movie trailer aspect of the spot. I provided the VO myself on this one.

Credits

Editor: Justin Wilson

Equinor

Equinor

This was a client rebrand shot on location in D.C., Houston & Austin.

Credits

Director: Justin Wilson
Cinematographer: Chad Leathers
Producer: Melissa Kirkendoll
Agency: TM Advertising
Agency Producer: Hal Dantzler

Propaganda
of the Deed

Propaganda
of the Deed

Finalist – Haunted Pamlico’s Carnival Of Darkness Film Festival 2024

Official Selection Scumdance Film Festival 2024

Official Selection LA Punk film Festival 2024

Official Selection REEL East Texas Film Festival 2024

Official Selection Punkfilmfest Berlin 2024

Official Selection Reel Rhythm Music & Film Festival 2024

Credits

Writer, Producer, Director & Editor: Justin Wilson
Cinematographer: Joel Herrera
AC: Rolo Cantu
Grip: Nate Maxwell
Sound Mixer: Brandon Weatherred
1st AD: Anthony Milton
2nd AD: Sean Donahue
2nd Unit Director: Lan Freedman
Sound Editor: Jake Kluge
Visual FX: Allen Robbins, Artie Peña
Colorist: Matt McClain/Thrive Colour
Score: Kara Ash & Justin Wilson

United States Air Force

United States Air Force

We made 12 videos for the Air Force, filmed in Shreveport at Barksdale Air Force Base and Malmstrom Air Force Base in Cascade County, Montana. The campaign was based around their nuclear program and the responsibilities of these service members.

Credits

Director/Editor: Justin Wilson

Community Coffee

Community Coffee

I edited this piece to show the rich history of Community Coffee.

Credits

Editor: Justin

Filmage
The Story Of Descendents/ALL

Filmage
The Story Of Descendents/ALL

Audience Award Winner – In-Edit Film Festival Chile 2013 – FILMAGE: THE STORY OF DESCENDENTS/ALL

Audience Award Winner – Nevada City Film Festival 2013 – FILMAGE: THE STORY OF DESCENDENTS/ALL

Best Music Related Film Winner – Snob Film Festival 2013 – FILMAGE: THE STORY OF DESCENDENTS/ALL

Long before Green Day and Blink 182 inflicted punk-rock’s puncture wound on the map of mainstream music, the Descendents were in a garage concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows band leader/drummer/square-peg Bill Stevenson and his “caffeinated retardedness” as he pushes his rotating door of bandmates to “achieve ALL,” his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with, proving that not even a grapefruit-sized brain tumor can keep him down. Interviews with the band, along with Dave Grohl (Foo Fighters), Mike Watt (Minutemen), Brett Gurewitz (Bad Religion) and many more reveal the story of a band–if not THE band–responsible for pop-punk as you know it.

 

PRESS

“‘Filmage’ has genuine soul” – Los Angeles Times

“Behind every pop-punk success story is a debt to the original L.A. bands chronicled in this ingratiating docu.” – Variety

“Filmage is a tight, poignant exploration of Descendents and ALL… Tears were shed.” – Mostly Harmless

“One of the best untold stories of punk rock.” – HM Magazine

“Beautifully shot and lovingly told, it rises above being a story about two bands and instead becomes a time capsule of the punk genre and a genuinely human story.” – ABC Melbourne

“Visually appealing and tightly constructed… a well-paced and accessible piece of filmmaking” – The Varsity

 

90min.
Available at filmagemovie.com

Credits

Directed by Deedle LaCour & Matt Riggle
Director of Photography: Justin Wilson
Editors: Justin Wilson, James Rayburn, Deedle LaCour
Produced by: Stefany Strah, Deedle LaCour, Marissa LaCour, Justin Wilson, James Rayburn, Matt Riggle
Additional Camera: Daniel Jarvis, Kevin Kirchner

Ume
Black Stone

Ume
Black Stone

Official Selection 2016 Austin Music Video Festival

Credits

Director/Editor: Justin Wilson
Director of Photography: Jake Wilganowski
Producer: Sierra Sintic
Paint, projection & 2nd camera: Tramaine Townsend
2nd camera: Tony Wann
Hair/Make-up: Jacqueline Fernandez
PA: Sean Dylan, Billy Cramer, Connor Adams, Stefan Allen
Featured extras: Katie Phelan, Vera Sch

One Nation:
1968 In Picture & Sound

One Nation:
1968 In Picture & Sound

Official Selection 2009 AFI Film Festival

This is the story of 1968 told in chronological order exclusively using footage and commentary from the year. The soundtrack consists of hits from the year as well lesser known songs from artists of the day.

102 min.
Available upon request

PRESS

AFI Last Night: One Nation

Hollywood Reporter: Docs Spotlighted at AFI 2009

KERA Think w/ Kris Boyd (One Nation)

Credits

Edited by Justin Wilson, Jack Waldrip and Tony Wann
Motion Graphics & Titles by Tony Wann
Sound Editor: Russell Smith
Executive Producer: Lola Lott

Glamour
Women Of The Year

Glamour
Women Of The Year

This was a huge honor to cut, especially at the height of the pandemic when so much was uncertain.

Credits

Editor: Justin Wilson

Razor

Razor

Coco Coquette
XOXO

Coco Coquette
XOXO

Filmed in part in 360 for a bts look at a collaboration between Coco Coquette, photographer Ima Leupp and XoXo studios.

Credits

Director/Editor: Justin Wilson

AT&T

AT&T

Chasing Hope

Chasing Hope

Credits

Director/Editor: Justin Wilson

Lincoln Financial

Lincoln Financial

Credits

Editor: Justin Wilson